Lécole Solnychkine , Sophie - Seeing the Fog from Inside: Poetics of the Matter and the Tale in Yuri Norstein’s The Hedgefog in the Fog

slovo:5232 - Slovo, March 2, 2019, To the East of Pixar : Russian and Soviet Animated Film
Seeing the Fog from Inside: Poetics of the Matter and the Tale in Yuri Norstein’s The Hedgefog in the Fog

Authors: Lécole Solnychkine , Sophie

we could define the cinema of Yuri Norstein as characterized by the change of status in the forms and textures materializing on the screen the elements of the story. According to these transformations, the narration – understood in the classical sense – seems to split in its films: it then designates not only the sequence of actions that compose the story of the film, but also the history of the successive plastic alterations constitutingthe flesh of the image and building photogram after photogram what one could describe as scenario-matter (by distinction of the scenario-narration).


Source : oai:HAL:hal-02053370v1
Volume: To the East of Pixar : Russian and Soviet Animated Film
Published on: March 2, 2019
Submitted on: March 2, 2019
Keywords: Film narration,Representation of elements (water,Metamorphosis,Weather effects,Plasticity,fog),Poetics of matter,Aesthetics of instability,Spatiality,Experiencing the sensible,Matter-script and story-script,Poétique de la matière,Spatialité,Effets météorologiques,Esthétique de l’instabilité,Métamorphose,Représentation des éléments (eau,brouillard),Scénario-matière et scénario-récit,Plasticité,Narration filmique,Expérience sensible,изображение стихий (вода,пластичность,фильмическое повествование,поэтика материи,сценарий-материя и сценарий-повествование,эстетика нестабильности,туман),метаморфоза,метеорологические эффекты,пространственность,чувственный опыт, [ SHS.ART ] Humanities and Social Sciences/Art and art history


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