<article xmlns:xlink="http://www.w3.org/1999/xlink" xml:lang="fr"><front><journal-meta><journal-id journal-id-type="publisher">episciences.org</journal-id><journal-id journal-id-type="issn" specific-use="electronic">2557-9851</journal-id><journal-id journal-id-type="issn" specific-use="print">0183-6080</journal-id><journal-title-group><journal-title>Slovo</journal-title><abbrev-journal-title>SLOVO</abbrev-journal-title></journal-title-group><issn specific-use="electronic">2557-9851</issn><issn specific-use="print">0183-6080</issn><publisher><publisher-name>Presses de l’Inalco</publisher-name><publisher-loc>                                            Paris, France                                        <email>support@episciences.org</email>                    <uri>https://www.episciences.org</uri>                    <uri>https://slovo.episciences.org</uri>                </publisher-loc></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.46298/slovo.2025.15835</article-id><article-id pub-id-type="hal">hal-05046758</article-id><article-id pub-id-type="publisher-id">http://slovo.episciences.org/15835</article-id><title-group><article-title xml:lang="en">Documentation of the everyday life of war in Bad roads [Погані дороги] by Natalka Vorojbyt</article-title><trans-title-group xml:lang="fr"><trans-title>Documentation du quotidien de la guerre dans Mauvaises routes [Погані дороги] de Natalka Vorojbyt</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><contrib-id contrib-id-type="orcid">0009-0005-3857-9358</contrib-id><name><surname>Tarasiuk</surname><given-names>Kateryna</given-names></name><institution-wrap><institution><institution_id type="ror">https://ror.org/02bxdh068</institution_id><institution_name>Institut des Langues et Cultures d'Europe, Amérique, Afrique, Asie et Australie</institution_name></institution></institution-wrap></contrib></contrib-group><pub-date pub-type="epub"><day>10</day><month>06</month><year>2025</year></pub-date><volume>La haine, la guerre</volume><uri specific-use="for-review">http://slovo.episciences.org/15835/pdf</uri><self-uri>http://slovo.episciences.org/15835</self-uri><abstract xml:lang="en"><p>This article aims to examine representations of everyday life during the Russo-Ukrainian war in eastern Ukraine through the documentary play Bad Roads by Natalka Vorozhbyt.. The analysis focuses on the everyday situations depicted in the play, as well as the transformation of language during times of war. The article also highlights the representations of the body, particularly the female body confronted with the ravages of war. Analyzing these elements in Vorojbyt’s work helps understand the role of contemporary dramaturgy in the development of the new Ukrainian drama.</p></abstract><trans-abstract xml:lang="fr"><p>Cet article vise à examiner les représentations du quotidien de la guerre russo-ukrainienne dans l’est de l’Ukraine à travers la pièce de théâtre documentaire intitulée Mauvaises routes de Natalka Vorojbyt. L’analyse se concentre sur les situations de la vie quotidienne exposées dans la pièce, ainsi que sur la mutation du langage en temps de guerre. L’article met également en évidence les représentations du corps, en particulier le corps féminin confronté aux ravages de la guerre. L’analyse de ces éléments dans l’œuvre de Vorojbyt permet de comprendre le rôle des productions dramaturgiques contemporaines dans le développement du nouveau drame ukrainien.</p></trans-abstract><kwd-group kwd-group-type="author" xml:lang="fr"><kwd>war</kwd><kwd>Donbas</kwd><kwd>everyday situations</kwd><kwd>ordinary spaces</kwd><kwd>minimalist language</kwd><kwd>violated body</kwd><kwd>new Ukrainian drama</kwd><kwd>guerre</kwd><kwd>Donbas</kwd><kwd>quotidien</kwd><kwd>espaces ordinaires</kwd><kwd>langage minimaliste</kwd><kwd>corps violenté</kwd><kwd>nouveau drame ukrainien</kwd><kwd>[SHS]Humanities and Social Sciences</kwd></kwd-group><permissions><copyright-year>2025</copyright-year><copyright-holder>The Author(s)</copyright-holder><license license-type="open-access" xlink:href="https://creativecommons.org/licenses/by-nc/4.0"/></permissions></article-meta></front><body/></article>