Russia in its margins


Souvenirs d’enfance (Moscou, années 50)

Fluhr, Vera.
This story evokes great historic events of the USSR in the 1950s (the death of Stalin and the last respects for him, the detention and dislodgement of Beria) through the lens of various episodes of a little Muscovite’s life. Showing the everyday life of a family and its neighborhood seen by the child’s eyes, the story plunges us into the Soviet life under totalitarian regime and makes us feel the authentic atmosphere of the times.

Le moi et le pouvoir dans la littérature russe de l’époque médiévale

Subbotina, Galina.
As interest of an individual to self-examination is a relatively recent phenomenon, it seems almost unthinkable to find elements of reflexive analysis of the mind in medieval Russian literature. Nevertheless we think that it is possible to bring to light some indicators - very weakly expressed but distinct - of a deliberate effort of introspection in several texts of this period. To demonstrate this we shall analyze the following works: The Instruction of Vladimir Monpmakh, Praying of Daniel the Immured, the correspondence between Ivan the Terrible and Andrej Jurbskij and The hagiography of Archpriest Avvakum written by himself. We shall try to show that self-presentation and self-analysis appear at this initial period of development of Russian literature thanks to the relations with the State and religious power.

Autobiographie d’un autochtone de la taïga de Sibérie occidentale : Iouri Vella et la projection dans l’avenir

Toulouze, Eva.
Yuri Vella (1948-2013) was a Forest Nenets reindeer herder, poet and activist in Western Siberia. Several times, he has spoken about himself and written, at some key moments in his life, is autobiography. In this article, I intend to analyse these texts, not only the explicit autobiographies, but also his literary texts, in which autobiographic elements appear: the closest we get to his last texts, the more autobiographic they are. I interpret these texts in order to emphasize the message Yuri Vella intends to transmit through them.

Cyberia : les monades informatiques du « je » autobiographique

Paret, Julien.
This article deals with the new forms of autobiographical writing mediated by information and communication technologies (ICT). We would like to make readers discover the dark side of postmodern Russia through the eyes of a cast of colorful characters who are currently haunting the Runet – the Russian internet – following the example of simulacra taken from science-fiction novels of cyberpunk genre. These characters construct, deconstruct and reconstruct their identities in real time in the virtual world with the aim of expressing their cyber “I” in a new political and philosophical way. In order to do this we needed to investigate the profiles, comments, posts, pictures and links published by several actors of Russian-speaking cyberspace: some unknown or well-known bloggers, a punk, a Donbass militiaman,or an agent of influence in the service of the Vladimir Putin regime.

L’individu à l’épreuve des pouvoirs communautaires dans l’épopée lyrique d’Isaac Babel Cavalerie rouge

Géry, Catherine.
Red Cavalry is an ambiguous and unstable literary text, an oneiric and mystifying reconstruction in which reality as it was lived by the author/narrator goes through several distorting prisms. The reader has to experience the same feeling of disorientation as Isaac Babel experienced during the Polish campaign in 1920. The War experience is translated into an experience of otherness. Lioutov, the narrator of Red Cavalry and Babel’s alter ego, is the “absolute stranger”: he is a Jew among Cossacks, an Intellectual among Soldiers, and a Bolshevik among Hasids. He looks at the world with external eyes, which prevents him from recognition and from subjection to identitarianism. The outsider’s look is a way of renewing perception, which is, according to Viktor Shklovsky, one of the main principles of the “defamiliarization” as a narrative technique that achieves singularity. Here we are talking about the irreducible singularity of the subject who is thinking of himself as an outsider and, consequently, resists all kinds of social determinism and normative forms of power and knowledge.